![]() There were many options available in terms of features the camera offered like auto-focus and such, but you had 1 image size when it came to an SLR. You got a 35mm SLR and went about your business of taking photos. On 35mm film, the imaging area was 36mm (wide) by 24mm (high). In order to understand what’s what, we first need these terms. In this article, I’ll attempt to introduce these concepts in simple terms and how they can affect your images when their applied to astrophotography. And rightfully, it can also be a source of confusion for novice or intermediate-level photographers who don’t know what they mean or how it affects their photography. So, make a decision based on your needs, plans, and preferences, and I hope Sheldon’s remarks will make it easier for you to decide.Full frame, crop sensor DX, APS-C, FX, full frame equivalent These are terms that get thrown around a lot when it comes to digital cameras and lenses. But if you want to go pro, keep in mind that a full frame camera doesn’t make you a professional photographer: it’s your skill and knowledge that do. Personally, I’ve only used crop bodies, because a full frame camera would be an overkill for my needs and also too heavy on my budget. ![]() You should choose the camera based on your preferences and think about why you need it for. Preference and limiting factorsīasically, when choosing between a full frame and a crop sensor camera, it all comes down to this: preferences and limiting factors. With full frame cameras, you generally get more dynamic range, which makes the post-production easier as you can preserve more details. Nowadays, as technology advances, these differences aren’t that big anymore. Image quality and low light performanceįull frame cameras used to provide significantly better image quality and low light performance. But if you prefer shooting architecture, landscapes, interiors and using wide angle lenses, then a full frame camera is a better choice in order to avoid too much distortion. If you’re looking for an extended range and shoot events, sports or wildlife, Sheldon suggests going with an APS-C camera. The choice between full frame and crop sensor depends on what you want to shoot. For Canon, it’s 1.6, so a 50mm’s lens effective focal length is 80mm. On a crop body, you need to multiply this with the camera’s crop factor. For example, a 50mm lens will be 50mm on a full frame camera. When using a camera with APS-C sensor, you need to count in the crop factor. ![]() He gives a couple of differences between the two, and hopefully, they’ll help you make a decision when buying your first (or next) camera. He says it has everything he needs, but he says that having a full-frame sensor doesn’t necessarily make it better than some APS-C cameras. He bought a Sony a6500, but after using it for a while, he realized he simply didn’t enjoy working with it and he got back to Canon.Īfter using both full-frame and crop cameras, Sheldon got himself a Canon 6D Mark II. ![]() ![]() “Why didn’t he just buy a mirrorless if he wanted a lightweight camera?” I can almost hear you asking. But also, he needed a lightweight camera for long wedding shoots because he didn’t want to carry too much extra weight all day. The main reason for this was to get a camera with good AF for video. But when the time came to buy a new one, he chose a Canon 80D. Sheldon says that the majority of his work was shot on a Canon 6D, a full frame camera. ![]()
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